Welcome back to the Homing Beacon, the official newsletter of starwars.com. Faces Frozen in Data
It's still a year and a half away, but toy fans were afforded their first glimpse into Episode II at this year's American International Toy Fair. There, in a sealed off room open only to specially-invited attendants, Lucas Licensing and Hasbro unveiled incredibly detailed busts of select Episode II characters.
The busts were crafted by Gentle Giant Studios of Burbank, California, who used digital scanning techniques to translate an actor's features into geometric data. This data can then be used for visual effects, archival and licensing purposes. In the rapidly changing world of digital filmmaking, this innovative practice is becoming all the more common.
"Christopher Lee was very intrigued and very cooperative in the process," recalls Gentle Giant President Karl Meyer. The legendary actor's role -- that of a charismatic separatist -- was one of several transformed into a plastic bust.
"He couldn't wait for the scanner to finish," says Gentle Giant Technical Specialist Steve Chapman. "He was so excited and wanted to see his form on the computer screen that he ducked out of the scanner to get a look at himself before it was finished."
"Ewan [McGregor] had Nick [Gillard] there coaching him in different poses," says Meyer. "It ended up being just a continuation of what they do on a film, but in a different place rather than the studio, and with a different machine rather than a camera. They were really just doing the filmmaking process, and this is just now another step in how movies are made."
Keep checking starwars.com for an upcoming feature on how these busts were made and what digital scanning means for the future of Star Wars merchandise.
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