Of Star Wars Docs and Inoculations: Peter Shillingford

Email Archives
September 12, 2008

Star Wars Cure Campaign

The Star Wars shoots on location and at Elstree would not be Shillingford's last brush with that galaxy far, far away. Shortly after the film's release, he was appointed director/producer of a Star Wars-themed television commercial campaigned by the Department of Health, Education, and Welfare to immunize children against polio, rubella, mumps, and a number of other childhood diseases.

"All the sets and costumes were in London, as were the actors," recalls Shillingford. "So we resurrected the sets that were still in storage at Elstree and I brought in a cameraman friend of mine who I had worked for as an assistant. We shot some very simple set-ups with R2-D2 and C-3PO. They took all the material back to the states so I wasn't involved with any of the editing."

The commercial began airing in April, 1978, and included both Anthony Daniels and Kenny Baker reprising their roles as C-3PO and R2-D2. The commercial contributed to HEW's enormously successful campaign to eradicate outbreaks of childhood diseases common at the time. Two more Star Wars-themed commercials were produced -- one for anti-smoking and another against drunk driving -- but Shillingford wasn't involved with those, as they were likely shot later in the United States.

The British native eventually did move to the U.S. shortly after his Star Wars work, spending 23 years in Los Angeles before ultimately returning to England.

During those 23 years and in the years since, Shillingford has kept himself busy in the trade, working on several commercials, feature documentaries, and 3-D motion simulation experiences for theme parks. In addition to hosting a number of international lectures based on his career in the motion picture industry, Shillingford is currently writing IMAX scripts.

"I just got back from Jordan," explains Shillingford. "I'm getting into 3-D IMAX, and am working on a script following in the footsteps of Lawrence of Arabia and the journeys he made through Jordan."

Returning once more to the desert, Shillingford looks forward to following the exploits of yet another figure made famous by the cinema -- this time, however, he'll insist on bringing a sound man along.

Previous 1
2




Keywords: Behind-the-Scenes, Television

Filed under: The Movies, Episode IV
Email Archives
 (
0 ratings
)

Comments: 0 total     See All

"Y" Red? The Truth Behind Red Y-Wings
The red-striped Y-wings seen in "Landing at Point Rain" pay homage to the starfigher's true colors
Cantina Cover-Up? Investigating a Mos Eisley Mystery
We investigate a media black-out surrounding the cantina sequence following A New Hope's release in 1977
Touring Tatooine Today
Frequent contributor Gus Lopez shares with us his amazing photos of Tunisian Star Wars locations.
Early Star Wars Interviews Back On the Air
Listen to some of the earliest interviews given by the original cast of A New Hope for radio stations in 1978!
Cantina Roll-Call: Shedding Light on Some Alien Aliases
Poking through the photo archives at Lucasfilm revealed secrets of the cantina aliens.
J.W. Rinzler: Making The Making of Star Wars
This week sees the release of The Making of Star Wars, a Del Rey Books release commemorating the 30th anniversary of the original Star Wars.
Anatomy of a Dewback, Episode V
The early, rough animation starts turning into a realistic-looking dewback. Emerging from a wire-frame outline, the creature gets coloring and shading. The old and new merge seamlessly and the scene finally lives up to Darth Vader's advance billing
Anatomy of a Dewback, Episode IV
An unusual "extra" dons an old stormtrooper costume to finally one-up some childhood friends. Life in a white suit isn't all it's cracked up to be -- especially when the thermometer hits 120 degrees Fahrenheit.
Anatomy of a Dewback, Episode III
A handful of stormtroopers don't seem quite menacing enough, so it's back to the desert for new filming. But first must come storyboarding and three-dimensional modeling before the cameras roll.
Anatomy of a Dewback, Episode II
The search for the negative concludes and now the restoration begins. To add new dewbacks, ILM has to first remove the old ones. And what should the 3-D dewbacks look like? Artist Terryl Whitlach comes up with a convincing design.
Newsletter sign up!
Enter your email here and receive exclusive Star Wars updates