[ Welcome ] [ What's New ] [ The Movies ] [ Beyond the Movies ] [ Gaming ] [ Community ] [ Kids ] [ Shop ] [ Hyperspace ] [ Starwars.com ]
[ Starwars.com ]

[ Skywalker, Luke ]
Skywalker, Luke
The path of a Jedi is often difficult, filled with conflict and pain...
[ Read More ]
Feature: Lucasfilm Fan Club Magazine #21 Online Supplement
Feature: Lucasfilm Fan Club Magazine #22 Online Supplement
Feature: starwars.com at Celebration III
Feature: starwars.com @ Celebration II
 
[ Episode IV ]

An Excerpt from Alter Ego Magazine
Ed Summer & George Lucas
Charley Lippincott (&, Incidentally, Ralph McQuarrie)
Stan Lee (& Maybe Alec Guinness)
Howard Chaykin and Ed Shukin
Howard Chaykin (Again),Steve Leialoha, & Others
"That Legendary Screening"
Chaykin, Leialoha, and Gafford Remember
Star Wars: The Comic Book That Saved Marvel!
June 01, 2007

Stan Lee (& Maybe Alec Guinness)

So, at the earliest opportunity, I buttonholed Stan about Star Wars.

I have no specific memory whatever of that meeting, but I must have been nearly as convincing verbally as I'd been in my 1970 memo to original Marvel publisher Martin Goodman, the one that persuaded him to actually shell out money to license rights to a sword-and-sorcery hero. Conan the Barbarian's eventual success probably helped me this time around. Maybe I made a good case for the Star Wars comic getting us into space-opera heroics as Conan had into barbarian derring-do. Or maybe Stan just wanted to humor me, since the comic rights would be basically free for those six issues.

Stan himself, whose memory about such matters (by his own admission) is generally just this side of amnesiac, has said since that he was sold on the idea the second time around because Alec Guinness was starring in it. And maybe Guinness hadn't been mentioned when Stan had been approached. (I've no idea whether Charley and Ed had talked to Stan a day, a week, or longer before they approached me.) Still, adapting a movie into a comic because Alec Guinness was in it would hardly have been a logical move. His name had no marquee value to Marvel's readers.

At any rate, by the end of my meeting with Stan, I'd gained myself an assignment to write (and edit, so there'd be no one at Marvel besides Stan himself who could overrule me on any creative decisions) an adaptation of the Star Wars screenplay, which I had insisted must be five or six issues long. I felt it would take that space to tell the story of a 130-page screenplay with the proper pacing. I'd always felt the old Dell movie adaptations, squeezed into one issue of maybe 32 pages, were far too short to catch the feel of most movies. The artist, whoever he would be, would be able to utilize such photo stills as George's West Coast office could make available to us. And, since I was just a few months away from moving into a Hollywood-area apartment complex that was only a five-minute drive from Lucas' offices, which were still on the Universal Pictures lot (because of American Graffiti), everything should go like clockwork.

Sure it would. It always does, doesn't it?


[ Archives ] [ Discuss This ] [ Email This ]

© Lucasfilm . All rights reserved. | Terms of Use | Privacy Policy | Business inquiries