She also starred in roles created specifically for her in two movies Bergman wrote but passed off to other directors. First was 1992's Best Intentions, for which August won the prestigious Best Actress award at the 1993 Cannes Film Festival. The movie, directed by August's former husband Bille August, also won the Golden Palm at Cannes. Bergman followed that by casting August in his screenplay Private Confessions (1996), directed by Liv Ullmann. The role he wrote for August in Private Confessions was based on Bergman's mother. August also recently starred in the Swedish film Gossip and the Danish film Anna. But after five years making movies--and a prolonged absence from the stage--the actress has been back at the Royal Dramatic Theater, starring for Bergman in the Friedrich Schiller play Mary Stuart.
"I went from Australia in August straight into rehearsals for this," she says. "We had the opening in December, and we're going to play it until the end of May. Then, hopefully, we're coming to New York next summer. We used to go there with all the Bergman plays, and I think we will this time, too. It's important to go back to the theater and go back to my roots. I felt that now, because it was five years since I did a play, that it was very good for my acting to go back and figure out what it's all about, from the beginning."
Still, August says that doesn't mean that she thinks live performing is somehow more important than her film work. "They feed each other, in a way," she says. "Every time I work in theater, I'm longing to do the movies, and when I work in films, I'm longing to do theater. Because you work in a different way when you do movies. You have to do it much smaller, and that can be good for the theater, too -- to be able to control your expressions."
There's also a world of difference, she says, between the usual movies she does in Sweden and a big-budget production like Star Wars. "The big difference is that the crew here is so small, and the shooting is not going on in three different stages -- perhaps one, if there is a studio," she laughs. "And normally we work with just one camera, and that's a big difference because you always work with many cameras when you do Star Wars."
But August says that at its core, acting for Star Wars is no different from acting in any other film. "When it comes to the process, and to work with the camera, and to work with your acting, it's the same. It is, of course, in a different language, but acting is the same." That's an ethic the actress brings to all her work, and August remains committed to looking forward and not dwelling on past projects, no matter how popular, even Star Wars. "I'm 43, I have my three kids, and my base is Sweden and the theater," she says. "If I wanted to, I could go to every convention, like an ambassador. But I'm not interested in that. I'm interested in going on with my work -- going on with my theater work and doing new projects."That doesn't mean that August doesn't relish her role in the Star Wars universe and all the crazy stuff that goes with it, like sitting in a chair at Fox Studios Australia while a laser circled around her, scanning her entire body (in costume) for a possible action figure -- "You had to laugh at it -- it was weird, but fun," she says. Or like receiving "quite a lot" of fan mail, although she admits, "I'm afraid I'm quite bad at answering it. I do my best -- two or three times a year I go through all there is, and I send them back. Well, if they send stamped envelopes, I send them back -- otherwise it would cost me too much!" More than anything, though, August said she enjoyed her actual time, however fleeting, on the Star Wars sets, and still remembers her initial joy at having been cast, unexpectedly, as the matriarch of the Skywalker clan -- mother to Anakin, grandmother to Luke and Leia -- in The Phantom Menace. "Was I surprised? You bet -- I was screaming," she remembers. "It was fantastic!"
Recalling the production of Episode I, she says, "It was really wonderful just to be a part of it. I really enjoyed working with Liam Neeson very much, and of course I remember the desert scenes, because it was so hot. The thing I remember most was when we were out in the desert at three or four o'clock in the morning, and the sun would rise. It was so beautiful. I will never forget it."
But while her experiences shooting Episodes I and II of the Star Wars saga were unforgettable, August says it hardly seems real anymore. Did she really go to Tunisia, London, and Sydney ... or to a galaxy far, far away? Or was it all just a dream? "People ask me, 'How is it in Hollywood?' And I say, 'It's not Hollywood -- it's something else,'" she explains. "To be a part of Star Wars islike a dream. For me, it really does feel like a dream, because it's something I visit and then I go back to my normal life. It is like a candy I have in my pocket, and I can put it in my mouth and just dream about it whenever I want."
And if we want to find out before May of 2002 what's been going on with Shmi Skywalker since her son left Tatooine, well, like Pernilla August, we're just going to have to keep on dreaming.






















